Monday, December 9, 2013

Who Broke the Chair?


There needs to be an end to body shaming and put-downs. Negative comments referring to body size and image can have a devastating impact on self-esteem. As I’ve been doing research, I’ve come across studies and academic reports linking the media to poor portrayals of body image, but there are also so many cases of negative imagery in daily life among peers and friends. When the media is full of negative issues, why does everyone decide to continue to tear each other apart?


Below is an example of a campaign against media distortion, showing the amount of airbrushing that a model receives after a photoshoot. 








Chairs don’t break because people are “fat” – and no matter an individual’s size, it’s not ok to call anyone else fat (“we got ice cream, ‘cause we’re fat”). There is no way to know how remarks about body image will affect others, especially when so many of these issues are hidden and misrepresented. Sometimes, those who decide that they are the larger members in a social circle tell others that they have “thin privilege” and are treated better because of their body size. This is not the place to argue that obesity is a problem in America and people should exercise more, but almost the opposite – in many cases the shape of the body is somewhat determined by nature. With that in mind, there is nothing thin people can do to control their shape, and such comments only risk setting off people who may have other underlying problems.


And finally, to end on a positive note, I found this link posted by a friend on Facebook: the positive influences that shine through lots of negativity:

http://www.huffingtonpost.com/2013/12/09/body-image-heroes-2013_n_4379790.html?1386600574&ncid=edlinkusaolp00000008

Friday, December 6, 2013

Building Solidarity

There’s a point where having peers and friends with common interests make work more comfortable. One can rely on that support network about various struggles. With careers like the arts where jobs are scarce, it’s difficult to make it to the top – this can result in competition, but it also means that dancers and performers often spend a lot of time around the same people and can share knowledge and advice. Each individual works to their own personal best, but has the opportunity to support friends and others they know.




Professionals in other fields also deal with issues of discrimination that could be mitigated with solidarity. One Youtube personality talks about comments and questions she receives about the issue of being a woman in science. By making herself known, the public feels it has a right to comment on her choice of clothing. This is the epitome of the double-edged sword of the media – with the advent and spread of new technology, more people gain a platform to share their ideas. Some blogs and video webcasts on a variety of topics grow very popular, but there is little moderation over who can respond in a comment.


Wednesday, December 4, 2013

Alvin Ailey - changing modern dance




Alvin Ailey is a professional dance company committed to furthering African American heritage and culture through dance. The New-York based company has a school and multiple levels of training programs to introduce students to the style, which tries to be a bold response to traditional styles and even other pioneers in the field of modern dance. 



There are so many definitions and branches in dance that every discipline has unique aspects, and Alvin Ailey’s main bold take merges creative choreography with strong dancers. Some pieces tell stories, but there are always clear elements of solid foundation in technique, which is evident even to an audience member with little dance background – many combinations involve intricate balances and all extensions (the legs that are stretched out) have strength and energy.




Through this platform, dance is able to bring audience members, performers, and other creative workers together. The work of Alvin Ailey is accessible on multiple levels, through artistic merit as well as cultural interest. Making this available, where there is a receptive public, is a sign of progress in the U.S.



This is a selection from "Revelations," one of Alvin Aliey's signature pieces

Saturday, November 30, 2013

Ballet in the Media


Ballet made an entrance into the TV world via a few avenues, causing excitement because of increased exposure for a somewhat less mainstream artform, and some worry about how it would be portrayed. The sitcom Bunheads, named after the typical ballerina hairstyle, was cancelled after a short run – the plotline centered on a former dancer who was trying to help a small ballet studio by teaching classes and becoming a new mentor for the girls. As with any drama, the daily lives featured very heavily in the story, and the dance aspect that drew the show’s niche audience was sometimes lacking.




Following the reality TV trend, one professional company allowed film crews in to document the stories of dancers. Ballet West is featured in Breaking Pointe, which has run for two seasons on the CW. Because there are so many unknowns about the inner workings of careers in dance, time is dedicated to explaining basic daily processes that equate an artistic life to any other job – hiring, training, promotions, projects, etc. Typical to a reality TV show, producers tend to focus on the emotional parts of featured characters’ lives, highlighting relationships and how personal time is spent. Even though dancing wouldn't take up all of a dancer's day, the added "confessional" aspect allows the production crew to have characters tell backstories directly to the audience. 


unnatural confessional scenes

One scene in the second season addressed the lack of racial diversity that is typically found in the ballet world. Joshua Whitehead is a new African-American member of the company, at the level where it is often difficult to get cast in large roles. He is upset to be passed over for a more inexperienced member of the trainee company, and takes his case to the company director. The primary reason he is given is that the part he was hoping for is a sort of court jokester in Cinderella, and the company didn’t want to feature their only minority member in a role that would be laughed at. While Joshua is upset about the decision and reconsiders his commitment to the company and ballet as a whole (which developed from a young age despite teasing), he decides that he does have a family in the Ballet West company and needs to keep working hard to show his potential and earn more recognition.


The influence of media in both instances gives the public a specific view of the ballet world, and these lenses need to be treated with care. Sometimes these perspectives are good in opening up new avenues to more general audiences, but production companies have a very specific view of the message they want to portray.



Friday, November 29, 2013

Holiday Consumerism

American holidays have become overrun with consumerism – Thanksgiving barely has a place with Christmas advertising springing on TV earlier and earlier every fall and taking over stores. Black Friday now begins on Thursday evening, so it not only takes away from the holidays of those who choose to shop (and say that they can be thankful any day), but means that retail employees are forced to forgo their own holiday in exchange for a paycheck and a job. The media plays a real part in the destruction of traditional culture, and encouraging people that the correct way to bring in the next set of holidays is by shopping and fighting crowds, possibly braving cold temperatures to try to score deals.



Commercials show us that shopping should be the upbeat part of the holiday – but ignore the families who are left at home while some people shop, and the workers who have to deal with angry customers, frustrated by the busiest shopping day of the year. One simple solution is to take traditional holidays back to their roots and look past media hype, focusing instead on family. Even my family managed to pull off Thanksgiving dinner after my cousin and I (two young women) tried to ruin mashed potatoes, a dish my dad said was impossible to mess up! Even when some skill sets are limited, you can make do.

Sunday, November 10, 2013

Lulu App - the Problems with New Media

In a slight tangent from the dance theme of the blog, I want to discuss the new app “Lulu.” I heard about it from a friend, and it has gotten some press because of the potential controversies that it brings.


My understanding, not having used it myself, is that after signing in through Facebook, female users rate their male friends. It restricts based on the selected gender on Facebook. There is a resulting database of comments and reviews of men that is searchable to users.

The justification for the program seems to be that it is only women using it, and those who are rated should never see. Some say that this is payback for the objectification that women regularly receive, and others realize that two wrongs don’t make a right. Beyond the simple fact that retaliation doesn’t help those who have been hurt, this system is extremely demeaning, and connects comments to names in (electronic) print. There are fill-in-the-blank questions to answer, with snarky answers, with responses ranging from rude to vulgar and downright insensitive (someone’s jokes make you vomit or slit your wrists).


Considering the implications of how new technology affects our entire culture is important to ensure progress in society, or we are sure to risk larger rifts between social groups.